Thursday, January 5, 2012

What produced the image of a crucified man on the Shroud of Turin? Was it really formed from a corona discharge of ultraviolet light?

Yes, according to some Italian scientists, the closest they have come to reproducing the image on the Turin Shroud is by means of ultraviolet light. That has reignited all the wild speculation about the image, supposedly of the crucified Jesus Christ, of it having been formed at the instant of resurrection, with talk about corona discharges and intense ultraviolet light. The scientists themselves have sadly been complicit in disseminating these weird, totally unscientific interpretations of their data, despite sending Tom Chivers of the Telegraph an email, claiming they had been misquoted. That's a imbroglio (that's Italian word, appropriately enough!) in which I am not keen to get involved, being just a retired science bod - one who prefers ideas and experimentation to conjuring tricks.

Here's a question I would put to those scientists. OK, so it may have been ultraviolet light that produced the image on the linen. But have you not forgotten something? To form an image requires not just a source of radiation. It requires a means of bringing rays to a focus (think converging lens, or concave mirror, or even a simple pinhole camera). How would a burst of uv light be able to produce an image without that necessary adjunct - a focusing device?

Reminder: here's a short series of pictures that I took a few minutes ago:

Here's a black surface (my camera case) being held under a standard lamp, emitting visible white light, with nothing except soft diffused light, certainly no image of the source of light.

Interpose a converging lens, aka "burning glass", and one sees the familiar spot of concentrated (focused) light. Let's now take a closer look.

Can you see what it is yet? 

Ah, that's better. Looks a bit embryo-like. Have you guessed what it is (assuming you do not already know?)

I'll try doing an enlargement (update: result below).  In the meantime, please take my word that it is an image of the incandescent filament in the lamp. But there was no visible image of that filament until the lens was interposed. (If you know your optics, and recall the means by which the pinhole camera works, you will know that an illuminated object does in fact cast  images of itself on every surface with which those rays subsequently come into contact, but note the plural - images. Without a lens or single pinhole there is a multiplicity of overlapping images, such that all one sees is a patch of suffused light.

The conclusion should be obvious, even from this GCSE-level experiment: a source of radiation on its own, even a gee-whizz uv source that can allegedly leave a signature of its source on fabric  - is no use on its own without some means of focusing the rays to form a single sharp image.

Yup, it's the filament. You can just about make out the helical turns of tungsten filament.

1 comment:

sciencebod said...


Since this post was written, this blogger/retired science bod has proposed a more comprehensive theory as to how the Shroud was created in the 14th century as a ‘holy relic’. The essence of the theory is the making of a thermo-stencil, using linen impregnated with a heat-sensitive chemical substance or cocktail, from a partially-mummified, minimally-skeletonised cadaver possibly in a monastery (think Brno). The desiccated proxy for the crucified Christ would have been heated in an oven of some kind, until radiating sufficient infrared as to be capable of leaving an image on thermo-sensitized cloth.

link to mummy theory