Yes, Stonehenge had a VIP tourist not so long ago who unlike us plebs was allowed to go inside the stone circle with those amazing lintels, raised up some 4,500 years ago with nothing but primitive technology.
It was widely reported, needless to say by the media, for which sad to say this blogger has less and less time. Why? Because apart from a near total absence of critical faculties, publishing anything dished out by news agencies and even our esteemed publicity-seeking, fund-seeking academia, the mass media are anti-blog, and have been for many a long year, having quickly perceived the blogging community as a threat to their own desire to maintaining a monopoly not just on the reporting of current affairs, but interpretation too. Did you know that inside every MSM journalist, there's a highly erudite sage fighting to get out, permitting no competition whatsoever from the Great Unwashed of the blogosphere?
Arguably Google is anti-blog too, judging by the second-class treatment accorded to our postings, at least by Google (like striking out one’s main search terms (Appendix 1), or heading lists of returns with eBay and Amazon
ads that are no longer even labelled as ads etc (Appendix 2).
So there’s no attempt today to mimic a so-called 'factual, authoritative' media
science report, despite this blogger being a retired professional scientist. This
is essentially an ideas-fest.
See also his specialist Stonehenge/Silbury Hill site
Nor will there be any attempt to make this posting Google (or other search-engine)- friendly. Where new uninhibited thinking is concerned, or in my case, not-so-new thinking (Appendix 3) search engines have degenerated year-on-year into a sick parody of the original, with wikipedia and its ideas-censoring thought-police not far behind (Appendix 4 in preparation)
See also his specialist Stonehenge/Silbury Hill site
Nor will there be any attempt to make this posting Google (or other search-engine)- friendly. Where new uninhibited thinking is concerned, or in my case, not-so-new thinking (Appendix 3) search engines have degenerated year-on-year into a sick parody of the original, with wikipedia and its ideas-censoring thought-police not far behind (Appendix 4 in preparation)
This posting will attempt to tell it the way it is about
Stonehenge and other ‘iconic’ sites scattered around the Wiltshire Neolithic
theme park. There will be no sentimentality, no obfuscation, no attempt to
engage in airy-fairy mystification – as archaeologists routinely do, seizing on
some tiny artefact, building up an entire Universe, then wasting no time in
rushing to the media with their “breakthroughs in our understanding”, their “profound
new insights” bla bla.
To show my contempt for this endless media circus of
obfuscation and/or lazy (or grant-provider-friendly) glossing-over and misinterpretation,
I shall post this intro right now,
despite this posting lacking any real content thus far. That will come as a drip-feed in the next few hours, maybe
the next few days, and will be totally uncompromising in spelling out a clear
message that the public does not, and probably never will get from that unholy fudge
between academia and the compliant mass media. Basically it will flag up what this
blogger considers (after some 4 years of research and reflection) to have been the REAL purpose of Stonehenge
and nearby sites. Nope. I don’t intend to stage-manage, or keep folk in suspense.
So what briefly was its real purpose?
Stonehenge was the endstage development of what had been
evolving by way of timber post circles initially, followed by stone circles
over centuries, probably millennia, culminating in Stonehenge and its gobsmackingly ambitious OTT (literally) lintels, a stupendous feat
of engineering if ever there was, given the limited technology available. But let's not mince our words: it was NOT designed as a landscape folly: it had a strictly utilitarian purpose, functioning as a durable, all season two stage cadaver-processing
plant.
Stage 1: speeded-up release
of the Neolithic soul, as then perceived, from its confining prison of mortal flesh via “sky burial” i.e defleshing
of the bones (by scavenger birds) followed by:
Stage 2 : cremation of the semi-cleaned bones, providing
grieving relatives with a compact keep-sake, either for taking home, or, if
more important, for internment in one of those many round or long barrows that punctuate the open Wiltshire plains and chalk uplands, still visible to this day, still with their stored bones, sometimes cremated, sometimes not.
Think of Stonehenge as a dual purpose site: bird sanctuary (the
more voracious species of scavenger birds that is – rooks, crows, ravens, maybe
those versatile, adaptable gulls too) AND late-stage crematorium (excarnated bones only, NOT entire body).
(Aside: I'm in discussion right now with the erudite Ken West MBE about the pros and cons of different scavenger birds as likely (or unlikely) agents of excarnation, my having discovered his brilliant and inspirational think-pieces, e.g."Stonehenge and Sky Burial" through googling (about which more later, probably a new posting).
Yes, the target
skeleton and bones did finally come clean. Pity that academia and the media
refuse to do so where Stonehenge is concerned. I repeat: Stonehenge and its
precursors were almost certainly conceived as bird sanctuaries serving as
skeleton/bone-recovery plants. The technical term for it, rarely appearing in
the media, and even quite difficult to track down via internet searching is
that unmentionable E word. It’s EXC _______
N, which becomes EXCISION read marginalization/sidelining/de facto censorship in media reports.
Yes, as indicated earlier, there’s an elephant in
the room, correction, giant Neolithic outdoor funereal parlour, where reporting of latest research findings from our Neolithic sites is concerned, and its name begins
with that letter E.
See my (obviously home-made) irreverent ‘photoshopping’ of the Obama
visit to Stonehenge.
Here's another in the same vein, a foretaste of still more to come, this posting as indicated being a work in progress.
Yup, more to come. Much more, a series of snippets selected from the recent newspapers and internet sites, at best, factoids not facts, more often than not, though if the truth be told, better described as downright 'fictionoids', like those carved "duck figurines" unearthed just two miles from Stonehenge, or that similarly nearby "House of the Dead" (allowing in some but not all Press releases a fleeting reference to the E word, it having reassuringly "preceded" Stonehenge, length of time unspecified) but which was probably not a house at all, but a screened proto-Stonehenge, i.e. roofless bird sanctuary without the bolt-on, afterthlought bone-crematorium. ;-)
Yes, we''ll be back with those two for starters. Watch this space (if you dare!).
Apols btw for typos. Tracking them down takes time and effort, and I'd rather publish (and possibly be damned) and leave the correcting them for now.
New addition: Monday, 16:45
Those "duck figurines":
Lets's take a closer look at the 'footprint' of those postholes.
The first thing to notice is that the conspicuous solid white circles are NOT the footprint. They are the position of IMAGINED tops of timber supports. Leaving aside the question as to how their heights could be known, given that most if not all the timber had rotted away, it's important to realize that the pattern one sees, which at first sight might just possibly be suited to supporting a roof, looks entirely different if one descends from each solid white circle to the BASE of the supports.
Here's a close-up to which I've added yellow arrows.
In fact those taller post indicated, shown with their 3D rendering, are NOT in the right position to support the highest part of a ridge roof. They are NOT in the midline, but tucked up against the side of the structure, as can be seen by tracing back to the bases.
In fact, when one looks ate the number and distribution of the post HOLES one sees that they are :
1. In the wrong places to support the roof
2. In the wrong places for the inside of what is claimed to be a "house". Who would want or expect to navigate a forest of support poles when stepping inside a house, regardless of the function of that so-called house?
So, take away what would appear to be an entirely imaginary roof, and what is one left with? Not a house, that much is certain. One is left with a sturdy stockade of butted up posts inside of which is that scattered array of posts with no obvious function, and still an impediment to anyone inside.
Here's the account from the Guardian, one of just many i could have chosen, with a quote from the Viennese co-director:
I say, steady on old chap. This is England. You can't just go slipping that E word into the conversation, not when talking to meeja. You have to obfuscate, to say nothing of consulting with your Birmingham opposite number on the delicate matter of 'grantsmanship'. Now it would be entirely different were you to be hosting an obscure blog, like this one. Then you can say pretty well what you want, provided you stay clear of libel actions.
So, to the 64000 question: what was the purpose of that one-time open-air stockade, then ignominously covered over with a chalk and soil capping to become just another of those barrows that punctuate the plaisn and downs of Wiltshire, and even later to be ploughed level with the surrounding fields it would seem?
Answer: I say the site was a timber prototype for Stonehenge, that it was designed as a bird sanctuary, offering a sizeable number of tallish bird perches, maybe a couple of metres high, on which flesh-scavenging species (crows, ravens, gulls etc) could rest and intermittently feed on the corpses of the newly dead.
Why tapered ("trapezoid"). There may be a mundane explanation: the constructors may have realized they had insufficient timber to make it a perfect rectangle, so decided to economise by tapering the long sides to make the far end smaller than its opposite number. I'd want to taper too, while waiting for metal axes and saws to be invented...
New addition: Monday, 16:45
From the Mail, October 2011. Do they look like ducks to you? Nope, didn't think so... |
The research was done by The Open University. It would appear
that the description “ducks” was provided from that source. The Mail has not
questioned that description, nor any of the other media outlets I’ve read so
far. Yet the reaction on blog sites has been immediate and rightly sarcastic
which mirrors my own. Why describe them as “ducks”. One website immediately entered (birds) after
“ducks” and rightly so.(ref to follow).
Does it matter? Yes. Anything that shares a headline with “Stonehenge”
and is a new type of artefact is important. The Mail is vague about precisely
how far from Stonehenge, saying “near”. How near?
I had to browse a number of sites to find where precisely. It’s
at “Vespasian’s Camp” just 1 mile east of Stonehenge with we’re told the bed of a spring. One’s left to assume that’s the original source of “water” into which the carved figurines were said to have been tossed
as an 'offering' . (Evidence?). Vespasian’s camp, btw, is fancifully named after a Roman commander, later emperor, which is a totally misleading name for the
location, it being an Iron Age promontory 9soory to be so vague - am still researching the precise nature of this landscape feature). Again, one has to do one’s own rooting
around.
Have discovered for googling that Ice-Age/bluestone specialist Brian John’s site
did a posting on the birds, back in 2011, attracting some 74 comments in
all (!) I’ve now read them all, some (not all) being quite thought-provoking. I’m willing to bet that not a single “science
reporter” has done so, and there’s no response either from academe, certainly no one
from the Open University.
This blogger’s views on those “birds”? No, they don’t look
in the least bit like “ducks” and I consider it extraordinary that the Open
University chose that description, not merely because it sentimentalizes
prehistory ("oh look, little ducks, how cute!")
but more seriously because it pre-empts serious debate as to what birds represented
and, more importantly, for what purpose – artistic, religious or even
utilitarian.
Yes, utilitarian. Here’s where one has to get speculative.
Both look ‘bottom-heavy’ as if designed to be that way. Why? The low centre of
gravity means that if knocked and tilted,say by a real bird taking a closer look and inquisitive peck, they would probably tend to return to
the vertical. Might they then have been designed as decoys, intended to attract
other birds who mistake them from afar as their real cousins, or even come in
to sate their curiosity?
Had these “decoys” been found closer to Stonehenge I would
have suggested they were indeed decoys designed to attract birds, scavenging
ones especially, to the site, given its identification as an excarnation
site. Being two miles away does not of
course invalidate that conjecture.
But keeping an open mind, and framing a possible hypothesis,
means that future archaeologists should now be on the lookout for more of these
figurines ESPECIALLY at any site with present or previous standing stones or
timber posts, i.e. ones with this blogger’s putative “bird perches”, maybe
decoy-baited as an avian attention-grabber.
New addition: Tuesday April 26
The so-called "House of the Dead ". (But where's the evidence it was a house, or even had a roof?)
We now shift to the Woodhenge site, or rather to some private land just 450m SW of it.
Don't expect to see a house. In fact don't expect to see anything. Here's a description (my highlighting) provided by the Historic England site:
Now be prepared for a surprise, dear reader, since this unpromising-looking site was the subject of a blaze of publicity in 2014, after the magnetometer survey carried out by a joint team from Birmingham and Vienna, under the project name "Hidden Landscapes".
Here's a composite of the graphics that were carried in national newspapers, BBC documentaries ec.
What you see what some reports describe as a reconstruction of a 'mortuary house' aka "House of the Dead".
The first thing to note is the odd way this "house" tapers on its long axis. It's described as "trapezoid" in shape, with only two sides, or rather ends, parallel to each other. Isn't that somewhat odd for a house? Yes, but we're assured that such structures have been described by archaeologists on the Continent, so that's all right then. But why would anyone want or need to have a tapering house?
What I haven't said so far is that the evidence for this house with its ridge roof rests on finding postholes. It's not entirely clear how much surviving timber was left - possibly enough for radiocarbon dating. But it's the number and position of those post holes that concern us now. They are shown we're told in the diagram, top left. From that the full above ground structure is 'visualized' (top right).
So what's the evidence for that roof then?
New addition: Tuesday April 26
The so-called "House of the Dead ". (But where's the evidence it was a house, or even had a roof?)
We now shift to the Woodhenge site, or rather to some private land just 450m SW of it.
Don't expect to see a house. In fact don't expect to see anything. Here's a description (my highlighting) provided by the Historic England site:
The (long barrow) monument includes a levelled long barrow aligned north east-south west located some 450m WSW of Woodhenge on Countess Farm and situated on a west facing slope. The barrow is now difficult to identify on the ground. However, the ditches which flank the mound of the long barrow on its western and eastern sides, from which material was quarried during its construction, survive as buried features and are visible as parchmarks.
The red patch is the location of the long barrow on an OS map, with Woodhenge just visible as a collection of dots top right. The aerial view beneath is the satellite photo from Google Earth. |
Now be prepared for a surprise, dear reader, since this unpromising-looking site was the subject of a blaze of publicity in 2014, after the magnetometer survey carried out by a joint team from Birmingham and Vienna, under the project name "Hidden Landscapes".
Here's a composite of the graphics that were carried in national newspapers, BBC documentaries ec.
What you see what some reports describe as a reconstruction of a 'mortuary house' aka "House of the Dead".
Reconstruction from location of post holes: the 'House of the Dead' 450m SW of Woodhenge. |
The first thing to note is the odd way this "house" tapers on its long axis. It's described as "trapezoid" in shape, with only two sides, or rather ends, parallel to each other. Isn't that somewhat odd for a house? Yes, but we're assured that such structures have been described by archaeologists on the Continent, so that's all right then. But why would anyone want or need to have a tapering house?
What I haven't said so far is that the evidence for this house with its ridge roof rests on finding postholes. It's not entirely clear how much surviving timber was left - possibly enough for radiocarbon dating. But it's the number and position of those post holes that concern us now. They are shown we're told in the diagram, top left. From that the full above ground structure is 'visualized' (top right).
So what's the evidence for that roof then?
Lets's take a closer look at the 'footprint' of those postholes.
The first thing to notice is that the conspicuous solid white circles are NOT the footprint. They are the position of IMAGINED tops of timber supports. Leaving aside the question as to how their heights could be known, given that most if not all the timber had rotted away, it's important to realize that the pattern one sees, which at first sight might just possibly be suited to supporting a roof, looks entirely different if one descends from each solid white circle to the BASE of the supports.
Here's a close-up to which I've added yellow arrows.
Two of the supposedly taller "roof supports". Roof supports? Really? |
In fact those taller post indicated, shown with their 3D rendering, are NOT in the right position to support the highest part of a ridge roof. They are NOT in the midline, but tucked up against the side of the structure, as can be seen by tracing back to the bases.
In fact, when one looks ate the number and distribution of the post HOLES one sees that they are :
1. In the wrong places to support the roof
2. In the wrong places for the inside of what is claimed to be a "house". Who would want or expect to navigate a forest of support poles when stepping inside a house, regardless of the function of that so-called house?
So, take away what would appear to be an entirely imaginary roof, and what is one left with? Not a house, that much is certain. One is left with a sturdy stockade of butted up posts inside of which is that scattered array of posts with no obvious function, and still an impediment to anyone inside.
But there's a clue, and it involves that E word, which to their credit the archaeologists have deployed, despite being less than 2 miles for Stonehenge where any mention of the E word is strictly taboo, or so it would seem, surveying the media and internet sites. Yes, it's E for excarnation, and here's a quote showing the site was not just viewed as a "mortuary house", which I consider a hastily-chosen and misleading misnomer:
Here's the account from the Guardian, one of just many i could have chosen, with a quote from the Viennese co-director:
One of the most striking monuments to emerge from the survey was a 33 metre-long burial mound containing a massive wooden building whose timber foundations – and a giant upright blocking its entrance – were spotted in the soil. Predating Stonehenge, the building is thought to have been a house of the dead where bizarre burial rituals were played out. "The rituals included exposure of the dead bodies, and defleshing on a large forecourt," said Wolfgang Neuber, at the Ludwig Boltzmann Institute. The house was later covered in chalk and finally became a curious white landmark."
I say, steady on old chap. This is England. You can't just go slipping that E word into the conversation, not when talking to meeja. You have to obfuscate, to say nothing of consulting with your Birmingham opposite number on the delicate matter of 'grantsmanship'. Now it would be entirely different were you to be hosting an obscure blog, like this one. Then you can say pretty well what you want, provided you stay clear of libel actions.
So, to the 64000 question: what was the purpose of that one-time open-air stockade, then ignominously covered over with a chalk and soil capping to become just another of those barrows that punctuate the plaisn and downs of Wiltshire, and even later to be ploughed level with the surrounding fields it would seem?
Answer: I say the site was a timber prototype for Stonehenge, that it was designed as a bird sanctuary, offering a sizeable number of tallish bird perches, maybe a couple of metres high, on which flesh-scavenging species (crows, ravens, gulls etc) could rest and intermittently feed on the corpses of the newly dead.
Why tapered ("trapezoid"). There may be a mundane explanation: the constructors may have realized they had insufficient timber to make it a perfect rectangle, so decided to economise by tapering the long sides to make the far end smaller than its opposite number. I'd want to taper too, while waiting for metal axes and saws to be invented...
Appendices:
1.
2.
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